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Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment 7️⃣ overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. 7️⃣ The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), 7️⃣ where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement 7️⃣ of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside 7️⃣ the film, on July 10, 2024, by Back Lot Music.[2][3]

Development [ edit ]

Pereira who watched the Despicable Me films, observed 7️⃣ audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want 7️⃣ to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated 7️⃣ and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira 7️⃣ recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as 7️⃣ "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry 7️⃣ Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those 7️⃣ songs represent an era but they also have to have a relationship to the moment in the movie where they 7️⃣ appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the 7️⃣ most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are 7️⃣ sung by the Minions themselves. He added that "it was fun to write music around it and try to make 7️⃣ the orchestral music and band music to somehow be holding hands with the music of the period without sounding like 7️⃣ somebody that wrote the music then".[6]

"I'm from Brazil, but the first time I heard The Beatles, I didn't have a 7️⃣ clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow 7️⃣ already put me in a certain frame of mind. I find that the same goes with the Minions' language." — 7️⃣ Pereira, on the use of Minions language[4]

Pereira compared the music for the Minions to that of the Three Stooges, where 7️⃣ the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative 7️⃣ aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of 7️⃣ things go by and then the narrator has left the movie and now they are out there on their own. 7️⃣ Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic 7️⃣ sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and 7️⃣ let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired 7️⃣ all the personalities through the score.[6]

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