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Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment 0️⃣ overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. 0️⃣ The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), 0️⃣ where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement 0️⃣ of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside 0️⃣ the film, on July 10, 2024, by Back Lot Music.[2][3]

Development [ edit ]

Pereira who watched the Despicable Me films, observed 0️⃣ audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want 0️⃣ to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated 0️⃣ and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira 0️⃣ recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as 0️⃣ "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry 0️⃣ Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those 0️⃣ songs represent an era but they also have to have a relationship to the moment in the movie where they 0️⃣ appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the 0️⃣ most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are 0️⃣ sung by the Minions themselves. He added that "it was fun to write music around it and try to make 0️⃣ the orchestral music and band music to somehow be holding hands with the music of the period without sounding like 0️⃣ somebody that wrote the music then".[6]

"I'm from Brazil, but the first time I heard The Beatles, I didn't have a 0️⃣ clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow 0️⃣ already put me in a certain frame of mind. I find that the same goes with the Minions' language." — 0️⃣ Pereira, on the use of Minions language[4]

Pereira compared the music for the Minions to that of the Three Stooges, where 0️⃣ the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative 0️⃣ aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of 0️⃣ things go by and then the narrator has left the movie and now they are out there on their own. 0️⃣ Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic 0️⃣ sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and 0️⃣ let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired 0️⃣ all the personalities through the score.[6]